Well, OK. That’s not a hundred percent true. I love some of them – Huston’s MALTESE FALCON, Carpenter’s THE THING, Scorsese’s CAPE FEAR, Cronenberg’s THE FLY, and Hitchcock’s remake of his own THE MAN WHO KNEW TOO MUCH (of which Hitch said, “the original was the work of a gifted amateur; the remake the work of a professional”).